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Beach walking with Henry David Thoreau: part one

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May 2011

By Pat Garber         

 Pat Garber dune grass

The breakers looked like droves of a thousand white horses of Neptune, rushing to the shore, with their white manes streaming far behind; and when, at length, the sun shone for a moment, their manes were rainbow-tinted. Henry David Thoreau 

Sitting on a dune near the north end of Ocracoke Island, I study Thoreau’s words, written more than 150 years ago, about the coastline of Cape Cod. I could have written the same today about the view that stretched before me.

I used to walk Ocracoke Island’s ocean beach each winter, having someone drop me off near the Hatteras Ferry, walking all day, and then bumming a ride back out South Point Road to the village. I usually did it alone, as I wanted to focus my entire attention on the space and moment I presently occupied, without distractions. Sometimes I took a canine friend, Duchess or Huck.

There is something primeval about seeing the ocean and shoreline expand before you without the refuge of a truck waiting nearby.  I made mental notes and later recorded them in my journal.

While I had visited different stretches of the beach often in recent times, I had not walked the entire beach for seven years. It was after I began reading Thoreau’s classic account, “Cape Cod,” and realized that he had done exactly the same thing, walking the length of the Massachusetts cape, that I thought of doing it again myself. This time I decided to carry Thoreau’s book with me and compare his experiences with my own. Cape Cod is much longer than Ocracoke Island, so Thoreau broke his walk into several segments, taking his first walk in 1849, his last in 1857.  I decided to break up my  walk similarly, so as to have more time to sit down along the way and reflect on his and my experience.

Thoreau wrote, as his reason for walking, that Wishing to get a better view than I had yet had of the ocean, which, we are told, covers more than two thirds of the globe…I made a visit to Cape Cod in October, 1849…I have spent, in all, about three weeks on the Cape; walked from Eastham to Provincetown twice on the Atlantic side, and once on the Bay side also, excepting four or five miles, and crossed the Cape half a dozen times on my way; but having come so fresh to the sea, I have got but little salted. 

 I visited Cape Cod when I was 22 years old, traveling its length in an old spray-painted-black Dodge van with Pete, a man I loved deeply (though perhaps foolishly), a boa constrictor, and a little black cat named Smut. The Cape we saw in 1972 would have been vastly different from the one Thoreau wrote about. He arrived by taking the cars for Sandwich, where we arrived before noon. This was the terminus of the Cape Cod Railroad, though it is but the beginning of the Cape…we here took that almost obsolete conveyance, the stage, for “as far as it went that day.”  Pete and I spent about a week camping on Cape Cod’s beaches, but, like Thoreau, I “got but little salted.”

Now, on January 17th, 2011, I set out once again to experience a beach walk, this time through  the eyes of Henry David Thoreau as well as my own. It was Martin Luther King Day, so my friend Rita, a teacher at Ocracoke School, was out of school. I asked her to follow me in her car to the parking lot across from the Ocracoke pony pen. I left my truck there and got a ride with her to the north end, where she parked near the ferry station.  It had been ferociously cold the previous week, but the thermometer registered warmer temperatures now, and with heavy rains forecast for the 18th, this looked like the best day for a walk.  Rita planned to go with me for a while,  so she pulled on her hat and I donned my backpack and we started out along a path through the sand dunes.  It quickly became apparent that “warmer” was a relative term. With heavy cloud cover and a brisk wind rushing down the beach, it was pretty darn cold. “Are you sure you want to do this, Pat?” Rita asked me. I wondered myself, but told her that I would kick myself if I gave up now.

Pat Rita Drawing Beacvh

It was low tide, and the flats at the north end stretched out before us like a maritime desert. We headed east along the dune line.  The shape of Ocracoke Island has always been confusing to me, as it does not run north-south, as one might expect, but juts out into the ocean in an easterly direction. It was hard to get oriented as we hiked across these flats. We could see the village and water tower of Hatteras in the distance, as well as that long stretch of sand, part of Cape Hatteras, that extends almost to Ocracoke. Thoreau said, referring to the name Cape Cod, that I suppose that the word Cape is from the French cap; which is from the Latin caput, a head; which is perhaps, from the verb capere,–that being the part by which we take hold of a thing:–Take Time by the forelock. It is also the safest part to take a serpent by…My dictionary says that a cape is “a piece of land projecting into water.” I guessed that not only the piece of land we gazed at across the Inlet, but also this strip of sand we stood on, was technically a cape.

I stood for a moment and looked at the body of water separating us from Hatteras Island. I knew that Hatteras Inlet had not always been there. The inlet had opened and closed several times through the centuries, the last being in 1846, when a storm breached  the island. Now the inlet provides access for boats heading from Pamlico Sound into the Atlantic Ocean, and a corridor for ferries traversing the short distance between Hatteras and Ocracoke. We caught sight of  an Ocracoke-bound ferry as it wended its way through the channel and, turning, saw a fishing trawler head through the Inlet and out into the ocean.

Fishing was one of the topics Thoreau wrote about, saying that it had replaced the production of salt which once provided livelihoods for Cape Cod residents. Soon after passing the Highland Light(house), he described how he saw countless sails of mackerel fishers abroad on the deep, one fleet in the north just pouring round the Cape, another standing down toward Chatham…Later he described them as whitening all the sea road…it appeared as if every able-bodied man and helpful boy in the Bay had gone out on a pleasure excursion in their yachts, and all would at last land and have a Chowder on the Cape. 

When Thoreau came to Cape Cod in October, 1849,  his plan was to walk with a companion along that part of the Cape which is known as the Plains of Nauset.  They met up immediately with a storm. We walked with our umbrellas behind us, since it blowed hard as well as rained, with driving mists…Everything indicated that we had reached a strange shore…I had seen plenty of storms at Ocracoke, and had no desire to encounter one today. I looked at the sky  uneasily, hoping the weatherman had been right when he said the rain would hold off until night.

Rita and I walked along a scraggly shoreline where small, twisted and lifeless trees protruded from banks, and sargassum weed, blackened by its tumultous journey to land, draped the sand. We hopped across the stream of flowing water which gushed from a small pond, visible from the  highway, that provided habitat for several species of ducks. We wandered across the salt flats for about an hour, picking up shells and bits of jetsam. I came across the remains of several jellyfish, which looked to me to be what locals here call jellyballs. Even in death their bell-like shapes and lovely translucence drew my attention. Thoreau wrote of coming across similar forms on Cape Cod, saying that The beach was also strewn with beautiful sea-jellies; which the wreckers called sun-squall, one of the lowest forms of animal life, some white, some wine-colored, and a foot in diameter.  I at first thought that they were a tender part of some marine monster, which the storm or some other foe had mangled. What right has the sea to bear in its bosom such tender things as sea-jellies…? Strange that it should undertake to dangle such delicate children in its arm…

  Finally reaching the ocean, Rita and I stopped to gaze offshore. The altitude at Ocracoke is not as high as that of Cape Cod, so we did not approach the sea from a bluff, but otherwise Thoreau’s description could have been ours:…then, crossing over a belt of sand on which nothing grew…we suddenly stood on the edge of a bluff overlooking the Atlantic…The waves broke on the bars at some distance from the shore, and curving green or yellow as if over so many unseen dams, ten or twelve feet high, like a thousand waterfalls, rolled in foam to the sand. There was nothing but that savage ocean between us and Europe.

 It was nearing time for Rita and me to part ways, so we found a protective dune beside which to eat our tunafish sandwiches. She returned to her car and I, clutching my jacket tightly around me, continued onward along this majestic ribbon of sand where, in Thoreau’s words, everything told of the sea.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

It was a very inspiriting sound to walk by, filling the whole air, that of the sea dashing against the land…Henry David Thoreau

 

Having wandered for more than an hour along the salt flats at Ocracoke Island’s north end, I set out to walk in earnest. Thoreau’s account of his own beach walk, recorded in his book “Cape Cod,” was tucked in the top of my pack, within easy reach. The music of the waves breaking to my left was, as Thoreau had written, an inspiriting sound.

 

The wind was at my back, not a hard wind but one that sent the fine grains of sand scittering ahead of me, low to the ground, and produced the illusion that the land itself was in motion.

Thoreau described the wind as he and his companion trekked across what he called the Cape’s wrist: to face a migrating sand-bar in the air, which has picked up its duds and is off, to be whipped with a cat, not o’nine-tails, but of a myriad of tails, and each with a sting to it…I have encountered many such winds, but the wind this day was gentler, and a pleasure to walk with.

 

Before long I noticed that I had companionship on my journey.  A pod of bottlenose dolphins were making their way along the beach, their graceful forms rising and falling just on the other side of the breakers. The ocean was a busy place here, with brown pelicans riding air currents above the waves and herring gulls splashing in the grey waters. The headlong plunges of gannets, big elegant white birds with black wing-tips, a little farther out, convinced me that the fishing must be great here. I set my pace to keep up with the dolphins, slowing down when they ran into better fishing, hurrying up when they moved ahead of me. They stayed beside me (or I by them) for about a mile, at which time they and the feasting birds disappeared. I think my traveling pals must have turned around and returned to the rich  fishing grounds. As I continued my southwestern trek  I saw quite a few other dolphins, but most were heading back toward Hatteras, and I can’t help wondering if they had heard, via dolphin language, where the best dinner was being dished up.

 

Thoreau’s encounter with cetaceans was not so pleasant to read about. Whaling was legal in 1849, and an important source of income on the Cape. Thoreau described the harvest of “blackfish” (probably similar to what we call pilot whales, a kind of dolphin) which he came across near Provincetown: In the summer and fall sometimes, hundreds of blackfish (the Social Whale…called also the Black Whale-fish, Howling Whale, Bottlehead, etc), fifteen feet or more in length, are driven ashore in a single school here. I witnessed such a scene in July, 1855…I counted about thirty blackfish, just killed, with many lance wounds, and the water was more or less bloody around…The fisherman slashed one with his jackknife, to show me how thick the blubber was,–about three inches; and as I passed my finger through the cut it was covered thick with oil.  The blubber looked like pork, and this man said that when they were trying it the boys would come sometimes round with a piece of bread in one hand, and take a piece of blubber in the other to eat with it…

 

“Trying” the blubber meant, I knew, heating it to render the oil.  Here on Ocracoke, dolphins had been harvested in the eighteenth and nineteenth centuries,  and their blubber “tried” for lamp oil. Try Yard Creek, one of the saltwater creeks which partially bisect the island and which I would be passing today, received its name from this practice.

 

Other than Rita, I had seen no other humans since I had left the village of Ocracoke. Having the beach to myself was wonderful, and I found my thoughts reflected in Thoreau’s description of his1857 walk:…that solitude was sweet to me as a flower. I sat down on the boundless level and enjoyed the solitude, drank it in, the medicine for which I had pined…

 

The shore I walked now was barely recognizable as that which I had traversed seven years ago, but that came as no surprise. Ocracoke’s shoreline changes shape with every hurricane, every nor’easter that churns her sands. Barrier islands are always on the move, migrating westward toward the mainland and sharing sand up and down the beaches.  It is not a new phenomenon, as reflected in the following observation made by Thoreau.  As I looked over the water, I saw the isles rapidly wasting away, the sea nibbling voraciously at the continent…” Later in the book he remarked, Perhaps what the Ocean takes from one part of the Cape, it gives to another,–robs Peter to pay Paul.

 

There were not as many birds along this stretch of beach. An occasional squadron of pelicans, flying in formation just above the waves, passed by on occasion, and I saw a great black-backed gull sitting near the dune line.  Swooping across the water, too far away to identify, were a few gulls, no doubt searching for fish.  Thoreau wrote about gulls he saw on the beach at Cape Cod in October, 1849, saying Mackerel-gulls were all the while flying over our heads and amid the breakers, sometimes two white ones pursuing a black one…and we saw that they were adapted to their circumstances rather by their spirits than their bodies. Theirs must be an essentially wilder, that is less human nature, than that of larks and robins….

 

Being unfamiliar with a bird called mackerel-gull, I had, upon reading “Cape Cod” earlier, looked it up in my bird books. I read that in Massachusetts this name was sometimes used for the common tern. I think it would have been unlikely for common terns to be at Cape Cod in October, and I don’t know that there are black ones and white ones; so I wonder if mackerel-gull might have been a generic name Thoreau used for gull-like birds. There could have been several gulls that met his description. His thoughts about their wild spirits does, however, put me more in mind of the graceful terns than of the more pragmatic gulls.

 

As I followed the shore, I became intrigued by a proliferation of what looked like artistic drawings in the sand, in varying shapes and colors, a few yards my side of the tide line. They were somewhat circular but very irregular, sometimes connected, with two or three rings composed of differing colors of sand. Some resembled little people or strange creatures.  I had seen them before, though never in such numbers, and knew that their formation was due to interactions of wind, water and slope with sands of differing weights and textures. With such variety and somewhat ghoulish shapes, it was easy to imagine an artistic sense of humor behind their design.

 

Thoreau did not describe the same sand art I saw, but a similar phenomenon which I have often noted in my beach explorations. Talking about beach grass (Psamma arenaria)  he wrote: As it is blown about by the wind, while it is held fast by its roots, it describes myriad circles in the sand as accurately as if they were made by compasses.

 

Farther down the beach, I came upon the timbers of an old shipwreck, its bones laid open to view by recent wind and water. I recalled another beachwalk I had taken, when the wreckage of a 74 foot  fishing trawler had littered the shoreline I walked. I turned to Thoreau’s words:  The sea, vast and wild as it is, bears thus the waste and wrecks of human art to its remotest shore. There is no telling what it may not vomit up….perhaps a piece of some old pirate’s ship, wrecked more than a hundred years ago, comes ashore to-day.

 

Several years later, again exploring Cape Cod, Thoreau described coming upon an old shipwreck. Soon after leaving Newcomb’s Hollow, I passed a hulk of a vessel about a hundred feet long, which the sea had cast up in the sand…half buried, like a piece of driftwood. Apparently no longer regarded. It looked very small and insignificant under that impending bank.

 

I was nearing the place where, on the other side of the dunes, I had left my truck. The rain was falling harder and I was anxious to reach shelter, but I took a moment more to stand and gaze at the surf. The tide was coming in, and each wave, as it thrashed its way toward land, seemed intent on out-racing the last.  I thought of  Thoreau’s description of standing on the shore at Cape Cod ..Before the land rose out of the ocean, and became dry land, chaos reigned; and between high and low water mark, where she is partially disrobing and rising, a sort of chaos reigns still, which only anomalous creatures can inhabit…

P 220 lack of trees that used to be there

On page 198 Thoreau describes how sand-hills are made.

P 59

 

beyond this stretched the unwearied and illimitable ocean…

 

PART THREE

 

 

 

At intervals I came across little  flocks of gulls, all hunkered down next to the water line and facing the same direction.  As I approached they would fly up and circle around, then return to the same relative positions.

 

Thoreau wrote of his 1857 excursion that  At East Harbor River, as I sat on the Truro end of the bridge, I saw a great flock of mackerel gulls, one hundred at least, on a sandy point, whitening the shore there like so many white stones…They had black heads, light bluish-slate wings, and light rump and tail and beneath. From time to time all or most would rise and circle about with a clamor, then settle down on the same spot close together. 

 

None of my bird books mention a bird by the name of “mackerel gull”

 also gulls p 73

 

 

eelgrass-141

Near the Airport Ramp I stop to pick up a half-deflated yellow balloon with ribbon  attached; the remnant of someone’s birthday party or wedding perhaps, carried by the wind and deposited here on the sand. The next storm tide might wash it into the sea, where it would float upon the waves, an amazing imitation of a jellyfish, favorite food of leatherback and other sea turtles. Dinner, snatched up by a passing leatherback, and a death sentence as well. Sea turtle necropsies had I knew, revealed alarming numbers of turtle stomachs stopped up and entwined with balloons.

In the 1850s, when Thoreau wrote Cape Cod, less was known about the damage human activities could and were enacting upon the oceans. Even though he recorded the slaughter of the whales at , he did not comment upon it as an assault upon the Nature he revered.

A new sound meets my ear, and I turn to watch a single-engine plane take off, flying close over my head. Turning seaward, I saw a small pod of dolphins feeding, their dorsal fins rising and falling among the surf. Farther out, sun-glistened gannets, barely visible until the perfect angle when bird and  sun ray met, floated in the sky. Every few seconds one would streak down toward the ocean, a meteor and disappear in a splash. Sometimes, I knew, the gannets would hit a shoal in their dive, breaking their necks. There must be menhaden of mullet out there, I guessed, to attract the dolphins and the gannets

Here were the stakes which had marked the last turtle nest of the season- a green sea turtle.

Chunks  of charcoal litter the sands between the water and the dunes. This is a favorite area for bonfires on sultry summer evenings. I am guessing these are remnants of a warmer season,

A green sign with the number 85. Last time I walked this beach there were no markers to tell you where you were. The signage may be useful in many ways, but it takes away some of the sense of adventure.

The farther south I walk, the more I notice the imprints of tire tracks, reminding me of the on-going controversy regarding driving on the beach.

If you turn away from the ocean, along this stretch of the beach, you get a glimpse across the dunes of one of Ocracoke’s favorite attractions, the lighthouse. The Ocracoke Light, built in 1823, is one of the oldest on the east coast and, while not one of the tallest, it is surely one of the prettiest. Thoreau took note of the lighthouses he saw on Cape Cod, and called one chapter of his book “The Highland Light.” Built in 1798, it stood, at the time of Thoreau’s beach walk, twenty rods from the edge of the bank, and rose one hundred and ten feet above its base.

The shell hash creates an interesting pattern here-stripes lined up side by side with stripes of sand, suggesting an interesting mix of currents and substrate. Further down, the cacophony of current direction is even more apparent, as sunlight gleams on water rushing into shallow channels and around and back, cris-crossing other currents and waves.

The crash of surf is less distinct here, waves lower and longer. I am approaching Ocracoke Inlet, the channel which .

Spotted on Ocracoke: The Great Black-backed Gull

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Spotted on Ocracoke: The Great Black-backed Gull

Great Black backed Gull PS IMG_4996

 April 2011

Text and Photo by Peter Vankevich

Most of the year –less so in late spring to midsummer- as you walk the beach or gener­ally look up into the air, it is hard not to come upon our featured subject this month, the Great black-backed Gull (Laurus marinus). What you may not be aware of is that this creature is notable as being the largest gull in the world with a wingspan of up to five feet. In the field it is identified by its black mantle, white head and undersides, a thick yellow bill with a red spot on the lower mandible and light pinkish legs. Both sexes look alike. In adult plumage, you can easily dis­tinguish these birds from the more common Ring-billed and Herring Gulls, both of which have much lighter col­ored silver backs. Immature birds are equally large with a generally overall brown color, light colored head and again, a very thick bill. A similar ap­pearing but far less common visitor to Ocracoke especially in the fall is the Lesser Black-backed gull. This species is slightly smaller, and its man­tle is more of a dark gray in­stead of being charcoal black and is most easily identified by its yellow legs. In my en­thusiastic beginning birding days, I was once at Chin­coteague and seeing a Great Black-backed Gull standing at a long distance away I was sure that it was a Bald Eagle. Only with a pair of binoculars did it dawn on me that it was a gull. Unlike the Laughing Gulls that chase the ferries, they are not particularly vo­cal, but when the do call; they make a harsh croaking “haw, haw, haw” sound.

Nearly extirpated in the late 1800s due to use of its feathers in the fashion indus­try, The Great Black-backed Gull has made an unusual comeback. Prior to the 20th Century, in North America its primary nesting areas were the coasts and islands of the Canadian Maritime provinces. Unlike the 20th Century trend of many land birds whose nesting ranges have been moving north, as the population of this species started to rebound, its nest­ing range began to expand south first to Maine (1928) and eventually onwards as far as coastal North Caro­lina (1972). Historically, Great Black-backed Gulls were also generally nonmigratory. Thus when in the evening of Febru­ary 27, 1934 six of these birds were seen near Ocracoke, it was of such significance that it was reported in the vener­able ornithological journal, The Auk.

There are probably far more Great Black-backed Gulls today than there were over the past couple of centu­ries. This increase in numbers and expansion in distribution range is not necessarily good news, especially for other gull species and terns as they may voraciously prey upon their fledglings. So why did this range expansion occur? Good question and some­thing worthy of study.

Unlike other gulls that may hang around areas such as parking lots next to beaches waiting for a handout, Great Black-backeds generally are wary and avoid being near people.

Bird note: An immature Wood Stork has spent the late winter on Ocracoke. Normally seen further south, this is quite an extraordinary sighting. Carol Pahl took nice some photos that can be seen online at Philip Howard’s Ocracoke Island Journal en­try for March 10, 2011 http://villagecraftsmen.blogspot. com/ .

Spotted on Ocracoke: Another Glimpse of Winter Light

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December 2010
Text and photo by Peter Vankevich

 

Sunset beach PS IMG_3800

What is spotted this month is not a curious artifact but an impressionistic mood. As Yogi Berra allegedly aid, this
is a season when it gets late early. A sense of serenity seems to overwhelm both the island and me. Outside the village, the island’s only road has a bit of traffic based around the Hatteras ferry schedule, but is mostly silent. The beach has far more sandpipers and gulls than people, and in late afternoon you may very well be the only person

there on a slow stroll. Off the breakers, dolphins and pelicans propel back and forth. Late afternoon as dusk  approaches, the appearance of the sky, clouds, and sun may change from one moment to another, often with spectacular shifting shades of gold and red. Accompanying this beauty is a real soundtrack of the irregular slow cadence of falling waves. With nature so crisp and vibrant, it is my favorite time on Ocracoke.

What a way to end the year.

Spotted on Ocracoke: a homing pigeon named Paloma

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White dove paloma 2010-10-02 17.34.40
Homing pigeon on Ocracoke. Named Paloma by Mickey Baker

Spotted on Ocracoke:  A Homing Pigeon 

Text and photo by Peter Vankevich
November 2010 

The storm system around the beginning of October (2010) brought out a sense of the isolation of Ocracoke. The ferry system closed down for several days, electric power went off and on, and school was closed for a day. Yet, the island missed the torrential downpours that hit the mainland, and we were faced with lots of exhilarating wind and just a bit of rain (a mere few inches). Two wonderful and packed concerts took place at Deep Water Theater and everyone seemed to be in a good mood. To live on Ocracoke, you have to like interesting weather. This leads into our topic of interest this month, a beautiful and somewhat surprising visitor.

Here’s the story: On October 2, as I was riding my bike through the village, I notice Mickey Baker wielding a large fishing rod and shaking it towards the roof of her business the Mermaid’s Folly, located just across from the Community Square. As I turned to get a better a view, I saw a pure white bird on the roof. Above it on the ridge were several gulls. “What’s up? “ I asked. “The Laughing Gulls were harassing this dove that just showed up. I threw some corn up for it,” she said. Indeed, the dove seemed contented to be eating and was not at all disturbed by the rod, the gulls or us humans.

The bird in the photo appeared to me to be a homing pigeon. My curiosity was peaked. How did it get there? With a stroke of Serendipity (a word these days that is ingrained in the Outer Banks culture), the Island Free Press recently did a nice profile on Hatteras Doves, run by Liz Browning Fox, her brother Lou Browning and his wife, Linda Meyer Browning. They raise and train white homing pigeons and will release them at weddings, birthdays, funerals and other commemorative events.

So I sent them a photo of it and Liz confirmed that it is indeed a Rock Dove/homing pigeon noting the yellowish eye rings and finely feathered nares. Equally important she confirmed that it wasn’t one of theirs that may have strayed off. They band all of their birds with a Hatteras Doves insignia and each bird’s individual name such as Breeze, Cloud, Diver and Swede 16. The Ocracoke bird does is not banded.

So what are Homing pigeons? They are a variety of the Rock Pigeon (Columba livia) which can be found in almost every community but Ocracoke, that have been selectively bred to find their way home over extremely long distances. Originating in the Middle East, they have been around for more than 3000 years. Also referred to as Carrier Pigeons, they have been used to transport messages rolled into small tubes and attached to their legs, a very important mode of transport over the centuries, especially during times of war. They are capable of finding their way home from distances or more than one thousand miles. A lot of experiments and research have been conducted in trying to learn how they are capable to returning to their roosts from unknown locations. Do they rely on a sense of direction (compass theory) or location (map theory) or a combination thereof? Reliance on the sun, the earth’s magnetic fields and even a hypothesis called Olfactory navigation which is an odor map that these pigeons would use by associating smells of the home loft with the directions from which they are carried by winds have been postulated. The problem with the last theory is that, unlike the Turkey Vulture, pigeons do not possess a strong sense of smell.

I once unexpectedly witnessed a release a few years ago when on a birding trip to Cape May. On a nice fall Saturday morning at a long distance I noticed a flock of white birds take to the air. Too small to be Snowy Egrets I thought. With the use of a scope, I saw a church steeple and was able to determine that they were dove/pigeons. I marveled at how they kept together, flew in a tight flock around and around then headed away.  Another time I was on the Delaware Bay when I watched a single white bird flying rapidly across the water and then along the beach. That couldn’t be a rare Ivory Gull I initially thought. I managed to take a nice photo of it and determined that it was a white homing pigeon that may have somehow separated from its flock and was perhaps heading home on its own.

So how did this bird suddenly appear on Ocracoke? Very possibly the storm system with its high winds may very well be a factor. Since it is not banded, for now it is a bit of a mystery. Its sudden presence recalls one of my favorite movie endings. Robert Redford, a high stakes poker player who got caught in the political intrigue of the 1959 New Year’s Cuban revolution due to a romance with Lena Olin visits Key West a few years later. Lighting up a cigarette and looking south to Havana (the movie’s name), he launches into a soliloquy and concludes with what may equally apply to Ocracoke: You never know who may show up. Somebody blown off course. This is hurricane country.

 

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Spotted on Ocracoke: The Lion’s Mane

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Lion's Mane. Photo by P. Vankevich
Lion’s Mane. Photo by P. Vankevich

September 2010


Text and Photo by Peter Vankevich

Two years ago or so, I featured in this column the Cannonball Jellyfish (Stomolophus meleagris) that had been spotted just off the beach at Springer’s Point. I noted that unlike many jel­lyfish, their toxins are rela­tively harmless to humans with little stinging capabili­ties. This month’s feature, an­other jellyfish (or these days also called “sea jellies”), goes by the curious name of Lion’s Mane (Cyanea capillata) and deserves a little more atten­tion in how it is approached as was illustrated in a rather bizarre beach incident that occurred up north earlier in the summer.

This species gets its name from its very long tentacles that some thought looks like the mane of a lion. It is par­ticularly noteworthy for being not only the world’s largest jellyfish but capable of grow­ing into one of the longest animals in the world, one specimen caught back in 1870 measured 120 feet, longer than a Blue Whale! The large crown, called the bell, can range from a diameter as lit­tle as five inches up to nearly seven feet. They are normally denizens of the northern cold waters of the Atlantic, Pacific and Arctic Oceans. On the Atlantic side, most of the year they rarely venture below the 42nd parallel, i.e. around Cape Cod. They will drift onto the Outer Banks, how­ever, when the waters cool in late fall and winter so it was a bit of a surprise to me to see this one beached near the Ocracoke/Hatteras ferry ter­minal on June 6, 2010.

Lion’s Mane feed primar­ily on zooplankton, small fish, ctenophores (when pro­nounced the c is silent), and moon jellies. On the other side of this food chain, its predators include seabirds, large fish and sea turtles. It is a member of the phylum Cni­daria (pronounced nigh-dar­ia, another silent c). A noto­rious trait of Cnidaria is that they have microscopic struc­tures known as nematocysts located along their tentacles which inject toxins into their prey. Nematocysts will cause variable degrees of stinging sensations when they come in contact with human skin which is a good reason to avoid touching them.

This species made quite a splash in the news earlier in the summer when it was re­ported that up to 150 people were stung by a large jellyfish on a popular beach in New Hampshire within a period of about one half hour.

So what happened? Accord­ing to several news reports, a very large jellyfish weighing up to fifty pounds with ten­tacles as long as 12 feet was spotted in the water among many swimmers. Lifeguards attempted to pull it to shore with a pitchfork resulting in breaking the tentacles into many pieces that ended up both in the water and on the beach.

People soon began complaining of itchiness and a stinging sensation. There was so much commotion that five ambulances and a hook and ladder truck showed up, and according to one report, the lifeguards were sent to local stores to purchase the recommended antidotes bak­ing soda and vinegar. No one was seriously injured, but a few children were sent to the hospital as a precautionary measure and released.

So what can be done if one encounters a Lion’s Mane on Ocracoke? Well the preferred method of removal would not be by pitchfork amidst a bunch of swimmers – an ex­tremely unlikely event on Oc­racoke. In fact, they are best left alone. If one is seen on the beach, avoid walking barefoot in the area since there may be pieces of hard to see ten­tacles around. They may still produce stings up to three or four days after breaking off.

If seen in water while swimming, move away from that immediate area. The sting of a Lion’s mane is not considered dangerous, but common sense dictates, like a bee sting, if one encounters symptoms that are severe such as dizziness or respira­tory distress after coming into contact with one, the person should seek medical atten­tion immediately.

This sea jelly enjoys a bit of literary fame thanks to one of Sir Arthur Conan Doyle’s Sherlock Holmes writings called The Adventures of the Lion’s Mane. This is one of the few stories narrated by Hol­mes himself rather than by Dr. Watson. (Doc. Watson is a much better story teller.) Hol­mes observes a man running from the beach in apparent distress mutters the phrase “Lion’s Mane” and drops dead.

The rest of the story in­volves eliminating suspects and concluding that that the killer was the jellyfish. Early on it was observed that the victim had a heart condition that saved Doyle from taking much more than a tad of po­etic license.

Ocracoke’s Artists’ Colony

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wahabvilhotel

September

By Philip Howard

“Is there an artists’ colony on Ocracoke?” is a ques­tion I frequently hear.

“We do have a number of tal­ented artists and musicians,” I reply, “but, no, there is no formal or orga­nized Artists’ colony on the island.”

Ocracoke Island suits artistic types very well, and it is not surprising that visitors wonder if an organized colony has ever been established here. Although there is no artists’ colony on the island today, Ocracoke was the site of a small experimental com­munity that flourished here more than sixty years ago.

The worldwide movement that spawned the quintessential art­ists’ colony emerged in the mid to late 1800s and continued robustly through the early twentieth cen­tury. It is estimated that thousands of artists participated in nearly one hundred art communities in Eu­rope, Australia, and the Americas during that time.

In the early twentieth century Ocracoke was especially remote from cities, government interfer­ence in private affairs, and societal expectations. Without paved roads or ferry service, Ocracoke’s primary link to the mainland was the four and a half hour trip by mail boat to Atlantic, on the mainland of North Carolina. The island’s isolation and easy ac­ceptance of strangers helps explain why a small group of artists and writers established their “Island Work­shop” here in 1940.

Unlike many counterparts in Europe and elsewhere in the Unit­ed States, the Island Workshop was neither a highly structured year-round community, nor an independent and self-contained community of transient artists and writers. Rather, it was a two-month long summer endeavor that was somewhat integrated into the year-round and long-established village of Ocracoke.

islandworkshop

In 1935, Ocracoke resident Stan­ley Wahab built an inexpensive replica of a Spanish style build­ing on the island, near where the Back Porch Restaurant sits today, to be part of his larger operation which included the Wahab Village Hotel (later renamed Blackbeard’s Lodge) and separate motel units dubbed the Green Apartments.

Made of plywood strewn with gravel while the earth-colored paint was still wet, the 400 square foot Spanish Casino mimicked an adobe hacienda. The flat roofed structure had extended and cren­ulated exterior walls with gently curving main sections. Windows were topped with decorative trim, and crosses within circles paint­ed near the roof line suggested a southwestern theme. An open porch on the ocean-facing side was supported by peeled cedar posts, adding to the Spanish motif.

The interior of the Spanish Casino was one large room with a raised platform on the western September 2010 wall to accommodate a piano and musicians. Benches were placed along the walls, leaving a sizable dance floor in the middle. Island natives, Edgar and Walter Howard, brothers who had moved to New York City to play vaudeville in the 1920s and 1930s, came home periodically to en­tertain their fellow island­ers. The popular music of the day included cowboy and western songs and ballads. Once in a while Edgar’s banjo and Walter’s guitar accompanied nation­ally popular entertainers who followed the Howard brothers to Ocracoke. At times, other island musi­cians played at the Spanish Casino. When live music was unavailable a jukebox served nightly to provide tunes for round dances, jitterbug, and traditional island square dances.

Stanley Wahab included a small canteen to serve his customers. Candy, cigarettes, and soft drinks were popular items. Eventually the Spanish Casino also offered hamburgers. Some years earlier, under the influence of Mr.Shaw, one of the Methodist preachers, sales of alcoholic beverages had been banned on Ocracoke Island. It was a rare night, however, when homemade meal wine did not flow freely behind the build­ing or on the other side of the sand dunes.

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In the summer of 1938 Vernon Albert Ward, Jr., a young man from eastern North Carolina, procured a job as manager of Stanley Wahab’s three-year-old “Spanish Casino.” Ver­non who found his way to Ocracoke in the late 1930s had graduated from the Uni­versity of North Carolina at Chapel Hill with a degree in English, and a specialization in creative writing. Although more educated than the local population, Ward quickly and easily settled into the community and made many friends. He was also a budding poet who had made contacts with other writers and art­ists from western North Carolina, New York, and Europe. Whether it was originally his idea, or some­one else’s, the notion of an island workshop for artists and writers took shape. Vernon Ward became the organizer and contact person. Soon a catalog was created and advertisements placed in regional and national magazines.

Ocracoke’s first season for the artists’ colony was scheduled for July and August, 1940. Although the location was listed as Wahab Village, many of the classes were held in the local schoolhouse. En­tertainment included dances at the Spanish Casino. Accommoda­tions were arranged at the Wahab Village Hotel. The total cost for two months (room, board, tuition, and entertainment) amounted to a mere $200. Attractions included “swimming, boating, fishing, danc­ing, and excursions.” Ocracoke was hailed as the “world’s widest and most beautiful seashore.”

Courses included painting, sculpture, art history, creative writ­ing, history of literature, Indian crafts, and physical education. The Island Workshop attracted an im­pressive list of talented teachers. Among them was Blanche C. Weill, a San Francisco native who stud­ied in Europe with educator Maria Montessori and with psychoanalyst Alfred Adler. Weill earned a doc­torate at Harvard practiced child psychology and was the author of two books, The Behavior of Young Children of the Same Family, and Through Children’s Eyes, the lat­ter published by Island Workshop Press.

Robert Haven Schauffler, well known expert on the lives of Beethoven, Brahms, and Schumann, also participated in the Island Workshop. Schauffler, author, lecturer, singer, and cellist attended Northwestern University and Princeton University where he earned a B.A. in 1902. A prolific writer, he contributed to numerous magazines and journals, including Collier’s Week­ly, and Atlantic.

Other present­ers and teachers at the Workshop included Daniel Tilden, a Chero­kee Indian Chief, and Anita Wetzler, a nation­ally recognized sculp­tress.

The most color­ful of the Workshop or­ganizers and teachers, however, was Madame Helene Scheu-Riesz (pronounced Shoy-Re­ese). According to islanders who knew her, she was very friendly and outgoing. Mme Scheu-Riesz, as she preferred to be addressed, was born in what is now the Czech Republic in 1880, but spent most of her life in Austria. At age 38 she published her first novel, Der Rev­olutionär. Eine Lebensgeschichte (The Revolutionary, A Biography), which came out during the Bol­shevik Revolution in Russia. How­ever, she made a name for herself as a narrative writer, poet, playwright, editor, journalist, and transla­tor. She was active in the Austrian Women’s Movement, and was es­pecially interested in making books available to children. She edited the “Sesambücher,” a se­ries of classic works, in German, for young peo­ple, and translated Lewis Carroll’s Alice in Wonderland to German.

Mme. Scheu-Riesz emigrated to the United States in 1937, after her husband, Gustav Scheu, died. True to her old-world traditions, she continued to wear gathered skirts, blouses with laced bodices, and a small scarf or peasant’s cap over her salt and pepper hair. Ear­rings and red shoes highlighted her colorful dress. Mme Scheu- Riesz, short and thin, spoke with a thick German accent.

It is not known how Mme. Scheu-Riesz came to know Vernon Ward, but clearly they were mov­ing in the same circles once she ar­rived in America.

No record survives listing the Island Workshop students. Local sources indicate that only a hand­ful of people were ever enrolled in classes, maybe 8-12 people at any one time. Dare Wright, popular 1950s photographer and author of children’s books, several set on Oc­racoke, seems to have had a con­nection to Vernon Ward, and may have participated in the Workshop. No doubt the extreme isolation of Ocracoke contributed to the small number of students. In 1940 no ferries served the island, and the journey across Pamlico Sound on the 42 foot wooden mail boat Aleta took four hours.

No local islanders are known to have taken advantage of the cours­es offered.

1940 was a time of upheaval in Europe, and the events there were causing anxiety and concern throughout the world, and Oc­racoke Island was no exception.

Before the United States de­clared war on Japan and Germany in 1941(and established a Navy base on the island in June of 1942) Ocracoke had been one of the most isolated communities in the country. Few outsiders visited the island, and most of them were an­glers and hunters.

Most of the Workshop partici­pants enjoyed spending their days on the beach. Islander, Jake Alli­good, had an old flat bed truck that he had converted to an island taxi, and he often drove them across the tidal flats to the ocean. It was not unusual for the teachers and students to walk to the beach after dark.

Several island teenagers, in­trigued by the exotic artists and intellectuals, and looking for ad­venture, decided to snoop around their quarters. They had listened to adults as they discussed the artists’ unconventional behavior and different lifestyles. Connec­tions to foreign countries, strange dress, and a degree of eccentricity had made them suspect. Could the artists really be undercover Nazi spies?

The “detectives” never discov­ered any incriminating evidence.

Mme. Scheu-Riesz’s Jewish heritage points to something quite different from a suspected Ger­man spy. Rather, she appears to have been a committed progres­sive thinker. In Europe she hosted socialist salons, worked with her husband to broaden the view­points of “dreadfully nationalistic” Viennese primers, and was active in the burgeoning “first wave” of the women’s liberation movement. According to information from the Library of Congress, Mme. Scheu- Riesz also had a connection with Sigmund Freud, with whom she carried on correspondence in 1930. And she frequently combined her interest in art with her passion for politics.

The Ocracoke “Artists’ Colony” (the Island Workshop), operated for only two summers (1940 and 1941). The December, 1941attack on Pearl Harbor changed everything. In the next six months hundreds of merchant vessels were torpedoed by German submarines off the Outer Banks. By the summer of 1942 the US Navy had constructed an Amphibious Section Base with as many as 600 personnel stationed on the island. Ocracoke was no longer the quiet, isolated retreat suitable for an artists’ colony.

Six months later, the Spanish Casino, which had already begun to disintegrate, was closed on the recommendation of the Navy com­mander. Shortly afterwards the building was demolished.

According to some sources, Mme Scheu-Riesz operated an art gallery in New York City after WWII. In 1954 she returned to Vi­enna. She devoted the rest of her life to school reform, writing nu­merous adaptations of fairy tales and translating children’s books from English to German. She died in 1970.

Vernon Ward went on to be­come a professor of English at East Carolina University in Greenville, North Carolina. He published sev­eral books on poetry and in the early 1960s he created and edited Tar River Poets, a literary journal devoted to publishing poems by members of the Poetry Forum in Greenville. It has been listed as one of the top ten poetry journals in the United States. Ward was married and was survived by a daughter and son when he died in 2000.

Philip Howard enjoys research­ing island history which enriches his avocation as a story teller. Philip and his daughter, Amy will be do­ing a program at Deepwater The­ater at 8 PM on Monday evenings called “You Ain’t Heard Nothin’ Yet, Strange Stories & Quirky Tales of Ocracoke Island.”

The Fishermen’s Quilt

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front cover Quilt 2 ps
The Fishermen’s Quilt, Auction Labor Day Weekend.

 

August 2010
 By Pat Garber

“There is nothing–ab­solutely nothing– half so much worth doing as simply messing about in boats’ That is what Water Rat told Mole in Kenneth Grahame’s classic childhood story, ‘The Wind in the Willows” in the late 1800s. More than a hundred years later, on December 29th, 2009, at the Ocracoke Fish House’s 4th annu­al oyster roast, a quilt containing the words of that famous quo­tation was unveiled. The quilt, a compilation of patches made out of water-related tee-shirts stitched together by Joyce Reyn­olds, is to be raffled off as a fund-raiser for the Ocracoke Working Watermen’s Association this La­bor Day Weekend.

There is a story behind that quilt, and there are stories in the patches themselves which, stitched together, tell the story of Ocracoke’s fishing community.

The story of the quilt began three years ago, when Joyce Reynolds, the minister at the Ocracoke United Methodist Church, came up with the idea of making a quilt to contribute to the Ocracoke Working Wa­termen’s Association (OWWA.) Joyce specializes in making quilts from tee-shirts, so she wanted to use some of Ocracoke’s fish­ing-related tee shirts. Finding and collecting the shirts became a mission for Joyce–a way that she could contribute to helping the fish house. Since many of the shirts were no longer for sale she had to talk a number of people into giving her the shirt off their backs-literally. She also set about getting as many as possible of the shirts signed by those who were connected to them. She stood at the docks to catch the boat cap­tains and get their signatures, and she flagged down Doran Quigg as he rode by on his bi­cycle, telling him she had to have the tee shirt he was wearing. He delivered it to her at church the following Sunday.

Quilting has long been a part of Ocracoke tradition, and Joyce’s tee-shirt quilt was not the first quilt to be made and raffled to help support OWWA. In 2008 the Ocracoke Needle and Thread Club, comprised of a number of local quilters who work together on such projects, presented the organization with a beautiful sampler quilt of water-related themes. Two years in the mak­ing, the ‘Watermen’s Quilt’ raffle raised $1500.00.

One of the tee-shirt patches in Joyce’s quilt depicts OWWA’s logo, a fishing trawler and the name of the organization, the Ocracoke Working Watermen’s Association, The story behind the OWWA tee-shirt is one of hope, hard work, and a commu­nity pulling together to save a threatened tradition.

Ocracoke’s fish house, South Point Seafood (another of the tee-shirt patches) opened its doors in 1974, when Johnny Grif­fin began buying seafood from local fishermen on the docks at Silver Lake. Murray Fulcher, a local fisherman and advocate for waterman with the NC leg­islature, bought and ran South Point Seafood for about twenty years before retiring. The fish house changed hands and then was closed for nearly two years, threatening to bring an end to Ocracoke’s long tradition as a fishing village and to the jobs of a number of watermen who lived here. Meanwhile, Ocracoke fisherman Hardy Plyer was ap­pointed to a state committee to locate working waterfronts in North Carolina that were threat­ened by privitization. Ocracoke was among those identified. Oc­racoke fisherman Gene Ballance and Robin Payne, president of the board of the newly formed Ocracoke Foundation, began working together to raise money to re-open the fish house. They received funding from the North Carolina Rural Center, economic development grants through Hyde County, and a grant from the Golden LEAF Foundation. They met their goal and three years ago Ocracoke Seafood Company opened its doors. The story of the watermen’s associa­tion and the fish house has been one of success since then.

OWWA is managed by Oc­racoke’s fishermen, under the umbrella of the non-profit orga­nization the Ocracoke Foundation. The fish house, which goes by the name “Ocracoke Seafood,” is now self-supporting. Money taken in at fund-raisers contributes to edu­cational outreach programs, such as guidance for teachers to use in their classrooms and research projects. Representatives from the Watermen’s Association par­ticipate in the North Carolina Sea­food Festival in Morehead City, the North Carolina Museum of Histo­ry , and the Core Sound Waterfowl Festival at Harkers Island. They produce promotional materials, including shirts with the OWWA logo, and bumper stickers which read, “Friends don’t let friends eat imported seafood”, thus support­ing local buying. They are pres­ently engaged in preparing a shal­low draft barge to plant oysters in Pamlico Sound.

OWWA officers include David Hilton representing fin fishing, Jerry Lukefahr shellfish, and Ernie Dosier charter boat fishing. Da­vid Hilton is also the president of Ocracoke Seafood. They are pres­ently working with NC Sea Grant to bring more diversity and better marketing, using the brand name “Ocracoke Fresh; Caught Today the Traditional Way.”

Hardy Plyer is the manager of Ocracoke Seafood, and his wife, Patti Johnson Plyer, runs the retail department which sells seafood to the public. One of the tee-shirts in the quilt depicts a fish camp with the words, “Hardy’s Fish Camp and Disco.” It was designed for Hardy and Patti’s wedding party, when the long-time partners de­cided to tie the knot.

Other tee-shirts feature such water-related businesses as Tradewinds Bait and Tackle Shop, The Anchorage Marina, Fat Boy’s Fish Company, and Native Para­sail. Shirts from several of the char­ter-boat captains are represented, including Ronnie O’Neal’s “Miss Kathleen”, Farris O’Neal’s “Drum Stick,” John Ferrara’s “Fish Tale,” and Reid Robinson’s “Devereux.” There is a shirt from Rob Temple’s sailboat “Wind Fall,” from Rodney Mason’s hunting guide service, and from Wade Austin’s duck hunting business, as well as from the Ocracoke Island Crab Festival that used to draw big crowds.

One of the last tee shirts Joyce got was the one with the above mentioned quotation about mess­ing about in boats, which seems to capture the spirit of this fishing community. The people who had originally marketed the shirts sold them at the Gathering Place, a little shop which stood at the entrance to the Community Store docks. The shop itself had been moved to a building in another part of the village, and the current owners, John and Ginny Moss, had stopped selling the shirts. Ben O’Neal still had one however, and when he heard that Joyce was waiting for one to complete her quilt, he left it stuffed in the handle of her door latch. Joyce finished the quilt and presented it to OWWA.

Raffle tickets for the quilt sell for $15.00, and can be bought at the fish house or on line at ocracoke­watermen.org. The winning ticket will be picked at OWWA’s Labor Day Fish Fry.

Artist Photographer, Ann Ehringhaus

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August 2010
By Ruth Fordon

the beingness
“The Beingness” words by Thomas Aquinas, Christian mystic, and images Ann Ehringhaus.

Her love of photography began early. As a child, Ann remembers organizing other children in her neighborhood into scenes that she would then photograph with her Brownie camera. In tandem with this interest Ann has always been a student of life and has pursued education in many different formats over the years. She earned a degree in English from UNC at Chapel Hill, and then an MEd in Counseling from UNC in Charlotte. By 1975 her love of photography brought her to school again, this time to a certification program at the New England School of Photography in Boston. All of this training and education has allowed Ann to weave a challenging and interesting lifestyle directed toward the exploration of what it means to be human.

In 1971 Ann moved to Ocracoke to teach at Ocracoke School, her first fulltime job. She was one of five teachers and each taught a variety of subjects. She and her husband Michael taught junior and senior high students from 1971-1973, and then they left to go to graduate school. Her next job was teaching English at an alternative school for 100 kids who had been unable to succeed in regular academic settings. As part of this job, she volunteered to accompany the kids to a media center where they could learn “hands on” about photography, while also

artwork folder002
Ann Ehringhaus

relationships with adults. It was during this work that her child­hood interest in photography sparked again.

In 1975 Ann and her former husband moved to Boston. He later was accepted to Har­vard, and Ann began teaching in Newton, Mass. while tak­ing a few courses at the New England School of Photogra­phy. She soon was enrolled in their fulltime program. This led her back to education and the chance to work full time as a teacher of photography at a junior high school, utilizing her new language, technical skills and creativity to engage the students.

Upon returning to NC in 1978, Ann participated in the NC Artists in the Schools pro­gram sponsored by the NC Arts Council, where she spent 10 years working around the state teaching photography. She also taught for 2 summers at the ad­olescent unit of the state mental hospital in Butner. “Kids would say things when we were in the darkroom developing photos that they wouldn’t say other­wise. It was really amazing and fun.”

After finishing her Photog­raphy program in Boston, Ann began thinking about the need for a book about Ocracoke that would portray more than just the history.She wanted to say something with her new lan­guage of photography about the island, the power of the environment, and the com­munity. At the time only Carl Goerch’s book on the history of Ocracoke was available. For Ann, it was the opportunity to use her technical skills as a photographer, her instincts for distilling the everyday life of islanders into stunning images and a format for her to con­vey her love and appreciation of Ocracoke. She had saved enough money to work on the book exclusively for 5 months and made a majority of the im­ages during this time period. Compiling quotes, stories and finding a way to make them in­tersect meaningfully with the images took several more years and 2 years to connect with the right publisher.

Ann’s completed book,”Ocracoke Portrait”, her photo essay capturing images and stories of island life, pub­lished in 1988, was enthusiasti­cally received and enjoyed by all. Ocracoke Portrait is now in its second printing and avail­able in stores around the is­land. If you haven’t seen it, be sure to look for it. The stories and images are timeless.

One day in the early 1990’s while buying fish at the fish house Ann met Gretchen Sig­mund, an artist from Colum­bus, Indiana. Gretchen and her daughter commented on “Oc­racoke Portrait” which led to a friendship and more sharing of art. After a couple of years of building their friendship they began to collaborate artistically, each style complementing the other in a collage format using Polaroid transfer photo images and hand-coloring. They pro­duced, a poster simply named “Ocracoke”. It is found in many Ocracoke homes, rental cot­tages and is for sale in several shops in the village. Next came the collage poster, “Signs of Life”. Ann then traveled to Co­lumbus, Indiana and together they created a poster of Colum­bus, Indiana, using the same Polaroid transfer technique.

Ann, as a classically trained photographer was working with more traditional bound­aries around what she could or couldn’t do with images. Gretchen’s painting style was very loose and leaned more to­ward “anything is possible”, an influence that Ann found to be really helpful. As Ann puts it, “My work became messy, and I liked it.” They continue to ex­plore different ways of relating imagery around the theme of Nature and completed a new Ocracoke poster last winter. They try to work together every couple of years if not more fre­quently.

In 1996 Ann traveled to the concentration camps in Aus­chwitz, Poland, to participate in a weeklong meditation retreat.. Her experience there launched her into a spiritual exploration of the long term effects of war. As she began processing this experience she embarked on a course of study that led to a Doctor of Ministry Degree in Oakland, California. Ann transformed her war experi­ence into an artistic statement, again using Polaroid transfer images and words. Old WWII photos combined with new images from her own travels in Germany were used in this series. She has shown this ex­hibit at the NCCAT campus in Cullowhee, NC, the Hor­ace Williams House in Chapel Hill, East Carolina University, and at several out of state presenter at the NC Holocaust Remembrance Day.

Over the last 2 1⁄2 years, Ann has been collaborating with another photographer and a writer from Charlotte, NC to produce a Daily Medita­tion Guide, entitled “Connect”. This is a workbook for personal reflection and creative explo­ration, divided into four parts, one for each season. They plan to launch it in Charlotte this fall.

Ann’s work as a photogra­pher has insisted that she be present to life and in the mo­ment. For her, photography is “about seeing, about being as present as I can be to whatever I am encountering. Photogra­phy helps to open awareness. Practicing photography for 30 years has shaped who I am as a person.”

I would add that in Ann’s work I find that there are al­ways several layers of meaning that weave between and among the images she creates with her photos. The spiritual is always present along with humor and a grounded sense of day to day life.

For the photographer just starting out, Ann’s advice is “to take a lot of workshops, follow your interest and see where it wants to take you. Don’t try to figure it out ahead of time.”

Ann’s photographic artwork has been exhibited around the Southeast in galleries, muse­ums, and colleges, both as a solo artist and in group exhibi­tions. On the island her work can be seen downstairs at the Café Atlantic and at Island Artworks on British Cemetery Road. Her web site is www. annehringhaus.com and she will offer “Island Photogra­phy” the last week in October at the Ocrafolk School . She has owned and operated Oscar’s House Bed and Breakfast since 1984 on Ocracoke.

ABC Store on Ocracoke Island Runs A’Ground

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August 2010
By Ruth Fordon

abc shelves

“How can a liquor store go broke?” wondered is­land residents. Deliveries to both the Swan Quarter and Ocracoke ABC stores were stopped early in the year as unpaid invoices of more than $100,000 to distillers accumu­lated. By June the shelves at the Ocracoke ABC store were nearly empty, restaurants ac­customed to purchasing at the ABC store for their drink trade were making elaborate arrangements to purchase through Dare County and is­land gossip was in overdrive.

The State Alcohol Law En­forcement Division has been investigating, to rule out theft and embezzlement, and to find out what went wrong. As reported by Catherine Kozak in the Island Free Press, Jay Etheridge, Chairman of the Hyde County ABC store has labeled “mismanagement” of records, inventory and staff as the bottom line. According to Etheridge, no money was missing but other problems that have been accumulating over years have led to the cur­rent situation. For a complete description of the investiga­tion and steps taken, readers can go to http://www.islandfree­press.org and see the Local News section for Ms. Kozak’s initial report and her follow­up story on June 23rd.

By the middle of June the ABC Board had a reasonable plan in place and has com­mitted to managing the stores properly. The state will also be monitoring the operation weekly.

Ann Warner, owner of the popular Howard’s Pub checks in on the progress so far and her concerns. “Howard’s Pub became aware of the signifi­cant problems in­volving the Hyde County ABC store’s inability to purchase liquor in March. Fortu­nately, the North Carolina ABC Commission, un­der the direction of Mike Herring, Chief Adminis­trator, was very proactive in working with us to secure inventory from Dare County. Dare County was equally supportive and efficient in working with The Pub with the ordering pro­cedure and providing the inventory. The downside of purchasing from Dare Coun­ty was the commitment to travel to Buxton to retrieve the product, resulting in an average roundtrip of four hours. Hyde County ABC has begun receiving ship­ments again, albeit limited in quantity. Additionally, there are still some kinks to work through in terms of process­ing the orders. Time will tell if Hyde County ABC is able to service its regular customers as well as the permittees on Ocracoke. How­ard’s Pub will continue to mon­itor the situation closely to ensure we have liquor for our visitor’s enjoyment.”

“If there is one commonality amongst island residents it would be our ability to withstand and adapt to hard­ship,” comments Daphne Ben­nink, owner of The Back Porch Restaurant. “Having to pur­chase our product and now supplement our liquor inven­tory through Dare County ABC has its downside, most particularly the travel time but dealing with a profes­sional, well organized entity has been a treat. I am doing my best to work with and as­sist Hyde ABC in its rebuilding process. To be dealing with this during the peak of our summer season is difficult. I hope that their business projections are correct and that they succeed in growing to where they can service the needs of the visitors, residents and mixed beverage holders of Ocracoke alike.”

final hydration
This entry in the Ocracoke 4th of July parade pokes fun at Hyde County and says it all!

For now, there is a limited stock of most brands of popu­lar liquor and a wait and see attitude. Many concerns and questions still remain to be answered. Until then, Oc­racoke will do what it does best, improvise and carry on.

This entry in the Ocracoke 4th of July parade pokes fun

Hands Across the Sand

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hands line

 August 2010
By Lou Ann Homan

I first heard about Hands Across the Sand as snow was still falling in the Midwest. I could only imag­ine how it would be on Oc­racoke, joining hands with folks and stretching out the entire length of the island in the month of June.

I must confess that my aged jeep is a billboard for this type of movement. One year I drove it to Ocracoke, but Philip made me back it in his driveway since tourists were looking at my car and not at his wonderfully restored old house. Even so, I proudly dis­play all the images and truths that I believe in on the back of that old Jeep. And, Indiana is not always known to be pro­gressive…with marches and rallies or other remnants of the hippie movement.

I knew someone would take over, and it was, of course, Kitty Mitchell, who organized, planned and ad­vertised the Hands Across the Sand for Ocracoke. I first saw her post on Facebook (OK, now you know what I do in my spare time) with the date, and I hoped I would get here for the event. There is no reason to go into the details of my situation, but a visit to my mom was imperative be­fore I came for the summer. The surprise for me, and my mom, was that she would be coming with me to spend a week.

Now my mom has never sponsored an event like this or even attended one. I was careful how I approached this with her. I think we were having a glass of wine when I told her of all the activities that would be taking place on Ocracoke when we ar­rived. There was, of course, Uncle Buddy’s wedding, and the Opry, and, slipping in the words between sips of white wine, we would be participat­ing in Hands Across the Sand. We had been watching the oil spill each morning, and I wove it all together. She nod­ded in agreement.

My mom’s trip to Ocracoke with me was exactly how it should be and all the events took place, as I knew they would.

Saturday, June 26th arrived hot and beautiful, and I was so anxious for the gathering. I had been reading all that I could on-line to know more. I love this quote from Hands Across the Sand website, “…not about politics, it is about protection of our coastal eco­nomics, oceans, marine wild­life, and fishing industry.”

As per Kitty’s announce­ments and flyers, we arrived promptly at 11:00 a.m. on the beach. Kitty was busy setting up the table, talking to stray beach walkers as they came over out of curiosity. I, the dreamer that I am, expected hundreds and hundreds of folks to stretch out along the full length of the seashore, but then again we were early.

There were seashells to sign with markers to be sent to Governor Beverly Perdue, all with the same message, “No to offshore drilling and yes to clean energy,” but with clever notes.

Seashell messages

I watched my mom sprint around making friends and signing her seashell. Could I have underestimated this woman? Maybe we don’t know each other as well as we should. I took her photograph signing the seashell…min­gling with folks.

More folks came and the crowd was growing with lo­cals and tourists alike talking, laughing, sharing sunscreen and everyone was happy to be there taking part in this ground roots event that could be instrumental in making our world cleaner and safer. When the sign arrived say­ing Ocracoke Island we all cheered and stories were passed among us like waves on the beach. It had been used in the 70’s here on Ocracoke, in Raleigh, in Washington and I am sure other locations. It looked great even after be­ing in storage for 40 years!

At ten minutes till twelve we headed down to the surf to begin forming our long line. The sign was placed in the middle as we stretched out upon the beach facing the sea with our feet covered in sand. There were children building a sand castle in front of us oblivious to our mission, to the oil spill, to their future.

I reached for my mom’s hand on my right and a new friend, Sally, on my left. My mom’s hand felt strong and energetic as she stood fac­ing the sea in silence. Fif­teen minutes we held hands thinking our own thoughts. I looked up and down the line at the folks holding hands. We weren’t protesting or causing harm, we were drawing our own line in the sand to bring awareness to our shoreline, all shorelines. I thought of all the people on other beaches forming their lines as well.

The only sound I heard was the sound of waves upon land until Sally began to sing. It was soft at first, and then her voice grew stronger. My mom looked at me and nodded sweetly. I squeezed her hand and we both joined in with Sally:

Oh beautiful for working folk
Who forge the wealth we see
In farm and field and home and school
Unsung in history,
Oh beautiful
Oh beautiful
May race nor creed nor more divide
ut side by side
All stand united and free.
– Unknown author

Lou Ann is a staff writer for the Ocracoke Observer and spends her summers on Ocracoke Island where she collects stories and tales.